Bjork Haraldsdottir

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sculptural ceramics 2026

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With a background in Architecture, Björk’s work often takes its narrative from the profession.The work is sculptural, built from stoneware clay slabs and as well as being influenced by Architecture, Björk also take inspiration from Norse craft, literature and mythology and the natural environment.

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The work is defined by strong sculptural forms draped with geometrical and monochromatic patterns. The titles of the pieces sometimes give a second narrative and reflect the thinking behind the raw clay and careful patterning.

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The patterns are meticulously drawn onto the surface of the work after careful coats of slip. The slip is then removed in part creating the contrasting monochrome pattern. The scrape marks are visible, and the surface is a plane of shallow relief, much like a tapestry. The tactile nature of these pieces is important – they invite touch, in the same way as a draped cloth might.

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At the core of the work is a conversation between three-dimensional form and two-dimensional pattern. Ambiguity is created by placing a rigid geometric pattern on an organic form, or vice versa, altering perception of the piece.

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The resulting pieces are visceral mini monoliths (‘Small Architecture’) with layers of complexity built into superficially simple constructions.

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