Kate Gill

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Abstract aesthetic 2025

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A fundamental influence for Kate’s small intricately woven linen artworks originates from her previous career as a textile and upholstery conservator. The extraordinary range of art and museum objects that she has had the privilege to examine, document and conserve have provided a deep understanding of fibre and textile structures and their characteristic behaviours. Application of delicate conservation techniques, design and creation of discreet bespoke mounts and the ability to dye new support materials to meticulous colour-matching standards have been some of the necessary skills honed along the way. Many of these observations and skills are readily evident in her artwork.

 

A primary inspiration for Kate’s current work, Exposed Warp Series, was a collection of patterned Coptic textiles in a partially degraded state. The complete loss of some dyed wool weft threads within the woven structures revealed well-defined sections of bare warps. These exposed areas echoed the shapes of the lost wool elements, thus preserving a thumbprint of the design overall.

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Kate has incorporated this striking visual effect into her new series. The weft-faced weaving is purposely interrupted by defined areas of bare warps to exaggerate the multi-directional rhythm and movement within the woven structure. Texture and play of light on the contrasting surfaces is enhanced by the partial unravelling and combing out of each plied warp thread. Discreet fabric-covered mounts enabled tension manipulation of each part-woven structure and provide added depth from the shadows cast within the glazed box frames.

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Click images for details and if you are interested in any of Kate Gill's work please enquire below.​​​